Muse Chronicle

alternative pop

January 8, 2026

Madeline Rosene Calls Out Our Strange Relationship With Technology in “Love and Algorhythms”
December 28, 2025

Antoin Gibson’s “Dead End” Maps a Broken Compass
December 24, 2025

Sandro Ferro Delivers High-Energy Perfection with “Going Wild”
December 11, 2025

“Powersuit” by Rachel D is When the DJ Becomes the Main Act
December 9, 2025

Exzenya’s “Till I’m Drunk & Confused” Doesn’t Sugarcoat Rock Bottom
December 1, 2025

The New Citizen Kane’s newest album “PSYCHEDELIKA Pt.1” is a lucid dream to experienced
November 22, 2025

“Ugly When You Love Me” is Exzenya’s Brutal Takedown of Manipulative Romance
November 21, 2025

Aco Takenaka Breathes New Life into Fading Traditions with “Ancient Seeds”
November 11, 2025

Philip La Rosa’s “Glitter & Gold” is the LA Disillusionment Anthem We Need
November 10, 2025

Kenjah David Returns to France with “Libère Les Maux” and a World of Influence

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