Blessing the world from Los Angeles, United States, Emily Daccarett is a creative visionary whose musical depth isn’t limited to one genre alone. A singer-songwriter who’s ventured into genres like indie pop, alternative pop, and alt rock pop, her sound is truly a beautiful cocktail of all of the vivid experiences that have shaped her identity, and it reflects beautifully on her artistry as well. Without any further ado, let’s tap into one of the projects that’s super close to her heart!

Emily Decarett
Emily Daccarett

Opening strong with a heartfelt number, ‘Clarity’, this track has early-2000s adorable rom-com vibes. If you reminisce about the era of Carly Rae Jepsen in pop, this would absolutely capture your heart. Uncovering the truth that, to find love in someone else, you must find it within yourself first. It takes more than believing in the feeling; you have to fight for it as if it’s written in the stars for you, and that no matter what you go through, life has a beautiful way of balancing itself out. If lows arrive, highs follow. Similarly, if witnessing loss first-hand feels like the end of the world, you must realise that sunshine is following you, maybe in the form of an act or a person.

‘Another World’, the title track, is the second and the last chapter of this EP. A mellow-rock miraculous moment of turning sorrows into faith, grief into hope, and darkness into light, this is an inspiring moment where the artist conveys how she’s in utter awe and feels more than blessed to have her person in her life who’s there not just to be with her but also to guide her out of the chaos, into the light.

Overall, I am deeply moved by this EP. It feels compact but almost leaves you yearning for a similar level of high, a similar level of joy that the artist experiences. But most importantly, you’re left with strength and belief that your guides will bless you at any minute.

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1.This project feels extremely passionate and personal. What did the process of creating this masterpiece look like?

Ans- Thank you for calling it a masterpiece—that truly means a lot. I poured my heart into this EP. Another World became a way for me to transform my love into something tangible. Losing the person you planned to share your life with is a kind of pain that doesn’t fade—you just learn how to live alongside it. At first, I was in complete denial. I kept wishing I could wake up from what felt like a nightmare. Music didn’t even feel possible during that time. But eventually, a different kind of sadness began to take shape—the realization that if I gave up on myself, I would also be letting go of my love. That was the moment I felt the need to write again. The process was incredibly realisation emotional. I cried a lot while working on these songs, but it was also deeply freeing. I used to sing to Zane all the time—he loved that. And now, through Another World, I still get to.

2.Apart from the people in your life, can you tell us more about which artists you looked up to the most while making it?

Ans- My producer and I kept returning to Radiohead while shaping the sound. There’s something they do so effortlessly—holding sorrow and beauty in the same breath, never letting one cancel out the other. With Another World, that balance became really important to me. I didn’t want the music to live only in grief. I needed it to carry the love too—the light that existed before the loss, and still exists somewhere within it. So even in the melancholy, there are moments where the music lifts… where it almost feels warm. That was intentional. Because what I lost wasn’t just pain—it was joy, it was tenderness, it was a whole world that was once alive. I wanted the songs to feel like that world still exists, just slightly out of reach.

3.This project was not only compact, but said and displayed a lot of ambiguity with just 2 tracks! Kudos to you! How did you do it?

Ans- Thank you—that really means a lot to me. I never wanted these songs to feel like an ending, or like I was neatly closing a chapter. That didn’t feel honest to my experience. Another World can’t exist without Clarity—they’re two halves of the same truth. Clarity is what I found with Zane while he was still here. We spent so much time trying to understand what we had, turning it over from every possible angle, as if we could name it, define it… but we never could. It stayed a mystery. And in a way, that was the beauty of it. I hope people get to experience that kind of love—the kind you don’t fully understand, but feel completely. And maybe Clarity can remind them not to settle for anything less. Then, Another World comes from the other side of that love. It’s what remains when the person is gone, but the feeling isn’t. I’m still holding onto that clarity, because I don’t believe love ends with death. It stretches beyond what we can see, beyond what we can prove. These two songs hold that tension—between knowing and not knowing, between presence and absence. It’s not a resolution. It’s just… where I am with it.

4.If there’s any advice you could give to your younger self, what would it be and why?

Ans- It’s okay to disappoint the wrong people—by that I mean the ones who don’t have your best intentions at heart, or the ones who take more than they give, or keep you in places that shrink you. I think I spent a long time believing I had to stay, even when something didn’t feel right, just to avoid letting people down. But I’ve learned it’s okay to walk away from things that aren’t working, even if it’s uncomfortable, even if it’s misunderstood. The creative field is full of uncertainty, and there isn’t always a clear map. At some point, you have to learn to trust your gut more than outside expectations. It’s not really about “quitting”—I see it more now as pivots. Small, necessary turns that slowly bring you closer to where you’re meant to be, even if you can’t see the destination yet.

5.What inspired you to get into music? Was it a person, a song or an instance? We’d love to know!

Ans- I’ve always loved music and grew up singing, but I initially chose to study fashion design instead. At the time, I thought that if music was truly meant for me, it would find its way back. That moment came during my debut collection for LA Fashion Week, when I was v to write original music for a short fashion film. I completely fell in love with the process of songwriting through that experience, and continued creating music with each new collection. By the time I reached my fourth collection, I realised music had become just as central to my creative identity as fashion. That’s when I decided to go to music school and fully pursue it.

6.What were some instances that led you to figure out your signature style and sound? And can fans expect any pivots in your sonic aura coming anytime soon?

    Ans- My first song was very much inspired by Jane Birkin and that 60s French pop aesthetic. It felt natural at the time because it aligned with my fashion collections, so I stayed within that retro world for a while and really leaned into it. When I went to music school, everything started to open up. I began experimenting with rock influences and electronic soundscapes, which felt very different from what I had done before. It was less about staying in one lane and more about learning how to explore different textures and moods. Over time, it became a process of blending those worlds together—retro pop, rock, and electronic elements—until they started to feel cohesive. That slow merging is really what shaped my signature sound.

    As for what’s next, I don’t think I’ve ever stayed in one exact place sonically for too long. The core of my sound will always be there, but I’m always curious, so there will likely be subtle shifts and evolutions rather than a full departure. I also write for short films so that gives me the opportunity to became different characters and try out new styles!

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