Listening to Connie Lansberg is like discovering another dimension in the world of music. It’s because she carries a warmth that feels lived-in, almost like someone sitting across from you, telling a story they have carried for years. Being Australia’s most-streamed vocalist makes sense when listening to her work. There’s a simplicity to her music that welcomes even non-jazz listeners. And I was particularly waiting for this release because the collaboration with guitarist Brad Rabuchin instantly caught my attention. Knowing he was Ray Charles’ final touring guitarist adds another layer of depth to the project.
“With every note, Connie Lansberg reminds us that the gentlest voices often leave the deepest mark.”
From the very first line, “Aeroplane” feels less like a song and more like a dream unfolding slowly. You will get lost in the imagery of forgetting one’s wings, and draw yourself to the recurring references or airplanes, butterflies, birds, and bees. Connie’s vocal delivery is wonderfully restrained. She never over-sings the emotion, which makes the longing feel even more real. I wouldn’t shy away from accepting that Brad Rabuchin’s guitar work deserves equal praise. The playing is subtle, spacious, and knows exactly when to step forward and when to simply hold the atmosphere together. One of my favourite aspects is how much room the song allows itself to breathe. Whether listeners connect with her healing philosophy or simply come for the music, Connie’s gift lies in making vulnerability sound beautiful rather than heavy.
Catch the muse down below:
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