Category: Pop
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“Hinn eini sanni Guð” (The One True God), is based on a gospel standard that’s been covered countless times across languages and continents.
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“Libère Les Maux” is the first taste of what David’s cooking up with producer Fred Martin at Studios Ferber in Paris, and it’s worth your time.
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“The Ones Remembered” asks you to imagine mysterious observers, could be aliens, could be angels, could be future beings, looking back at humanity like we’re the most fascinating thing they’ve ever witnessed.
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“Evil Person” was born in November 2024, during what KAYTIE describes as a “rough spot” with her best friend.
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“Now I’M Wiser” is Smyths’ laying his cards on the table. The song took its sweet time coming together because he refused to release anything less than his best, a perfectionist streak that pays off in the final product.
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“Sketches On The Walls”, is a genuine reflection on what it means to become yourself when the world keeps trying to label you.
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“One Road” is basically what running feels like when you’ve hit that sweet spot where your brain shuts up and your body just feels free.
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“The Bloom Project” is her eight-track collection that takes “shidaiqu”, a nearly 100-year-old genre from 1920s Shanghai that mixed Chinese folk with Western jazz, and completely reimagines it through a modern electronic lens.
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“Pattern of Possession” kicks things off with big, layered synths that sound almost hopeful at first. The track shifts into darker territory, setting up the album’s central warning: the digital future is already here, and there’s no going back.
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Katie Dwyer’s “Warm Fuzzies” is packed with seventeen tracks that prove she’s not slowing down. Katie pulls from old school rock, doo-wop, and even jazz to create songs that get families moving together.
Muse Chronicle 