Muse Chronicle

ZinaXKee is a captivating project that’s beginning to gain traction as a leading wave in the music arena, and is led by the dual swords of visionaries Zyna & Kae. Hailing from Decatur, Georgia, Zyna aims to incorporate a multitude of genres, breaking boundaries in the project. Kae is the spine of the project, as he wears multiple hats ranging from music, production, design, and vocals. What started as a head-turning wave in music is now a storm, as every track in their artistry is nothing but a display of humility and adaptability. In a way, the artists personally embody what they preach through their music, which is very fascinating to learn.

Piercing through your head with its rigour and musical brutality, the track is the perfect demonstration of agony in sonic form.

Recorded at the comfort of his friend’s home and released a month ago, the breathtaking new release ‘UnderThePineTree’ arrives with a bang and is going to be something that grows on you over time. The volatile rap is blunt, bold, and as real as it gets, and the grunge-inspired soundscapes take it to another level. A tribute to the artist’s drive to experiment beyond the traditional landscape of music we know today, the vocals, production and design on this release scream ‘troublemaker’ and ‘fire’ in the best way possible. This is an ode to humility, and we feel like it’ll be an interesting case for people who love spontaneity & fierce energy in Music. This track is bound to make an impression regardless of what taste profile you come from, and it’ll definitely leave you with something to talk about.

We also got a chance to interact with the artist and gained further insights into them & the release. Here’s how it went–

1. Zyna & Kae, how did you guys come up with the idea of starting ZinaXKae? And how does the initial phase of your artistry of working together compare to now? Ans – To clarify, Zina and Kae aren’t two separate people — they’re two aspects of the same individual. Think of it as an alter-ego framework. Kae represents structure: the producer mindset, the tradesman, discipline, and real-world execution. Zyna is the chaotic jack-of-trades — the voice in the music, the character navigating both abstract and everyday conflict, the one willing to take risks and push narratives forward. Early on, that balance was looser. Zyna led with impulse, while Kae tried to make sense of it after the fact. Now, the relationship is synchronised. Kae builds the world; Zyna inhabits it. That duality is what gives the music its cinematic feel — unstable but intentional. It’s not a collaboration between two people, but one mind operating in different modes.

2. How has your sound evolved? And if you could maybe compare your sound right now to the stages in which maybe a butterfly develops, at which stage do you think it’s at right now?
   Ans – My foundation comes from the battle-rap and 106 & Park era of the early 2010s — saying the hardest, most outlandish thing possible and making it land clean. That DNA never left. But around 2015, I noticed the shift: music became more melodic, more synth-driven, more atmospheric. Instead of resisting it, I learned how to fuse abstract melodies and unconventional pitch choices with the grit and aggression I grew up on. I was also raised on ’90s hip-hop through my dad — long drives, speakers loud, real lyricism. At the same time, my environment was split. I went to a good school far outside my neighbourhood, but lived in a rundown area. In Atlanta, everything intersects — wealth, decay, ambition, survival — often on the same block. That contrast shaped how I write. I’m constantly translating between worlds. Using the butterfly metaphor, I’d say I’m mid-chrysalis. The raw energy is still there, but it’s being refined. The form is stabilising. This EP isn’t about flexing evolution for its own sake — it’s about documenting the psychology of Zyna as he applies pressure to the world and watches what reacts. The wings aren’t fully out yet, but the transformation is irreversible.

3. If you could describe this latest release in one word, what would it be and why?
   Ans – Surreal. After leaving Atlanta and spending a short time in college, surrealism stuck with me — not as an aesthetic, but as a way of processing reality. This release exaggerates real emotions, real situations, and real contradictions until they feel dreamlike or absurd. Nothing is random. It’s reality-bent just enough to make people question what they’re actually hearing and feeling.

4. What are some artists you guys actively look out for, and what are some pre-existing artists in the industry you aim to collaborate with?
   Ans – I listen to music beyond hip-hop, but from the underground, I’m tuned into artists like Laserdim7000, Che, and Ethereal for their originality and atmosphere. On a larger scale, I could see myself collaborating with Lucki, Summrs, $NOT, Ken Carson, Denzel Curry, or Cochise — artists who aren’t afraid to bend genre rules and let individuality lead the sound.
5. Your music really stands out as a differentiar and I feel like that’s what people are drawn to. What was the entire sonic discovery process like for you guys?
   Ans – I was intentional about not letting any two songs occupy the same space. The discovery process was built around contrast. If one track leans heavily into lyricism, the next might prioritise texture and atmosphere. If a song feels polished and sonic, I’ll follow it with something raw or unorthodox. If I’m talking bravado on one record, the next might be deeply introspective. That push-and-pull keeps the project alive. I like breaking boundaries in production, but even more so in how themes are approached. The goal was never to lock into one “sound,” but to let each track represent a different angle of the same character. That’s where the differentiation comes from — cohesion through contrast, not conformity.

6. An artist is an embodiment of their music. So how does your artistry reflect your own interpersonal qualities as the geniuses behind it?
   Ans – The ShiTalkDie series functions as a narrative lens into Zyna’s psychology. It reflects how he reacts to interpersonal relationships, systems he refuses to blindly follow, ideas he questions, and situations he deliberately pokes fun at. A lot of it is observation turned outward — internal reactions projected onto the world in ways that are honest, exaggerated, and sometimes uncomfortable. Each volume goes deeper, both sonically and thematically. The sounds evolve, the takes become more nuanced, but the core remains the same: it’s never meant to be predictable or safe. There’s always a moment that makes you stop and say, “I can’t believe he just said that.” In a strange way, it’s like a hyper-aware inner monologue given a voice — almost Lizzie McGuire or Hannah Montana-coded if you grew up on Disney Channel, where the internal and external worlds overlap. It sounds ridiculous, but that duality is exactly what makes it honest.

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