Giardini Oort is a project that pulls from the heavy-hitting playbook of Nine Inch Nails, the atmospheric depth of Brian Eno, and the experimental spirit of Radiohead.
“Here, at the edge of everything, even emptiness has a rhythm.”
Let’s get straight to it: from the moment that bass drops, “Zero Point” feels physical, not just in your ears, but in your chest, your throat, somewhere deep. It creates this unsettling intimacy, like someone’s sharing a secret while the world crumbles around them. Combined with the aggressive electronics and those unexpected organic percussion hits, it’s genuinely compelling.
Those acoustic elements, the handpan rings, the drum thuds, they’re not just decoration. They punch through at exactly the right moments, reminding you there’s something human underneath all this noise. It’s easy to make harsh electronic music. It’s much harder to make it feel like it matters.
So, “Zero Point” may not be everyone’s cup of tea. But this is music for people who want to feel something beyond the usual verse-chorus-verse formula. It’s for those moments when standard pop music feels like empty calories.
Give “Zero Point” your full attention and let it take you to that threshold and see what you find there.
Muse Chronicle 
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