Nico Guzzi is an Italian artist who splits his time between composing, singing, obsessing over technology and the internet, and apparently watching football. It’s this blend of high culture and everyday life that seeps into his work, making him the kind of musician who can geek out over orchestral arrangements one minute and drop references to crypto culture the next.
“Nine tracks to soundtrack the beautiful disaster of being alive right now”
This nine-track album tackles the weight of modern living: our phone addictions, our desperate status-seeking, our collective numbness, but wraps it all in production that genuinely slaps. Take the album’s approach to calling out our obsession with surface-level success.
Tracks like “Loser” and “Mama” don’t just point fingers at crypto bros and Tesla fanatics. It captures that gnawing feeling we all get scrolling through feeds, watching everyone perform their best life while feeling increasingly hollow inside.
“Follow Me Now” and “The One” build these cinematic landscapes that feel almost religious in their scope. There’s this messianic energy, this promise of a life worth actually living if you just follow along.
What makes this album work beyond its conceptual ambition is that Guzzi never forgets he’s making music. Yes, there are big ideas about modern alienation and digital disconnection, but there are also genuine hooks, moments where your body moves before your brain catches up. Everything serves the song, even when the songs are serving larger themes.
By the time you reach the album’s final tracks, you’ve been through something. Guzzi has this phrase about being “barely present in our own demise” that keeps circling back, and it might just be the most accurate description of modern life out there. We’re watching ourselves scroll, shop, consume, retreat, and some part of us knows it’s not quite right, but we’re too tired or too numb to change course.
“The Game of Life” won’t be everyone’s cup of tea. It’s too weird for purists, too cerebral for pure club bangers, too structured for complete experimental chaos. But for those of us living in the messy middle, feeling too much and too little simultaneously, watching the world through screens while craving something tangible, this album is for you.
Muse Chronicle 
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